It has been a while since I have written a bit on God and the Senses; that is, a turning from the typical focus on divine vision and audition to a fuller expression through all five senses of sight, hearing, smell, taste, and touch. I have discussed the multiple sensations in an inset hymn in the Acts of Thomas , Hekhalot Rabbati , a fascinating occurrence of "synesthesia" or seeing speech in Philo's writings , and the coming to the (spiritual senses) or overcoming spiritual anesthesia in Augustine 's prose poem from the Confessions . This, then, is the fifth installment. Much like our previous authors, Origen in his Homilies on the Song of Songs, uses the sensual language allegorically (in fact, Origen strictly forbids the literal senses). Nonetheless, especially his first homily engages all five senses, overwhelms them with inviting, exciting, embracing language. When I teach this work, I call this section the "parade of the senses." Firstly, th...