Showing posts with label Zombies. Show all posts
Showing posts with label Zombies. Show all posts

Thursday, October 24, 2013

Dorothy King on "Vampires" in Archaeology

Dorothy King of PhDiva has written an extensive post on the European burials of "vampires" and/or "zombies" (the differentiation of which she repeatedly notes is a more modern invention) for this holiday season.  Check it out here.

Wednesday, April 3, 2013

Zombie Jesus Day or Easter?

There is a piece in the Religion Bulletin on "Zombie Jesus Day" by Philip Tite, who plays with the importance of labels, shifting perceptions, and multiple "ownership" of holidays.  Quite appropriate for my recent discussion of the tombs opening in the Gospel of Matthew a few days ago, which has further links between the Gospel narratives and Zombies.

Sunday, March 31, 2013

Creepiest Part of Jesus' Death and Resurrection in the Gospels

There is a small detail that Matthew adds to Mark's narrative concerning the broader effect of Jesus' death and resurrection:
the tombs also were opened, and many bodies of the saints who had fallen asleep were raised, and coming out of the tombs after his resurrection they went into the holy city and appeared to many.  (Matt 27:52-53).
The line to inspire every zombie apocalypse to come:  the dead climbing out of their graves to mingle among the living.  Or so it seems.  From an ancient Jewish perspective, it appears that Matthew is saying that Jesus' resurrection has triggered the general resurrection (Paul says something similar--that Jesus is the "first fruits" of the resurrection, suggesting the season of resurrection is at hand for the rest of the "fruits").  The general resurrection occurs at the end of time (or the end of the age), which suggests that at Jesus' death and resurrection the "Kingdom of Heaven" has broken into this world.  But, still, the imagery to express this resurrection-theology is rather gruesome.  Happy Easter!

UPDATE (April 1, 2013):  Jim Davila raises some additional questions of this passage here, and refers to another discussion of the passage found here.

Friday, July 6, 2012

The Bible and Zombies

Well...sort of...at least according to this Huffington Post article by Michael Gilmour.  Zombie imagery and resurrection imagery often do have quite an uncanny resemblance.  Here are three of my favorites from Gilmour's list:
2. The Book of Revelation: "the sea gave up the dead that were in it" (Revelation 20:13). John the Seer's creepy statement reminds me of a scene in George A. Romero's "Land of the Dead" (2005) that features slow-moving corpses walking out of the surf, and Max Brooks' "World War Z" with its account of the boy returning from a swim with a bite mark on his foot. He also describes the zombie hoards roaming the world's oceans: "They say there are still somewhere between twenty and thirty million of them, still washing up on beaches, or getting snagged in fisherman's nets."

.....

5. The Gospel of Matthew: "The tombs also were opened, and many bodies of the saints who had fallen asleep were raised. After [Jesus'] resurrection they came out of the tombs and entered the holy city and appeared to many" (Matthew 27:52-53). Unwanted persistent life is a recurring image in biblical literature and so too is language referring to the impermanence of bodily death. The dead do not stay dead. The psalmist is confident he will not "see decay" (Psalm 16:10 New International Version; cf. Acts 2:27; 13:35). We read of the physical resurrections of specific individuals (e.g., 1 Kings 17:17-24; Luke 8:49-56; maybe Acts 20:7-12) and expected mass revivals (e.g., 1 Thessalonians 4:16-17). Some of these accounts of un-dying involve reference to un-burying. Mary and Martha's brother Lazarus walks out of his tomb when "they took away the stone" (John 11:41). On Easter morning, mourners find "the stone, which was very large, had already been rolled back" (Mark 16:4). A second century writer describes further the events preceding Jesus' emergence from the tomb: "That stone which had been laid against the entrance to the sepulchre started of itself to roll and gave way to the side, and the sepulchre was opened" (Gospel of Peter 9.35).

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7. Zechariah: "their flesh shall rot while they are still on their feet; their eyes shall rot in their sockets, and their tongues shall rot in their mouths" (Zechariah 14:12). They seem to resemble extras in a George A. Romero film.
Is there anything to the resemblance?  Such as that modern zombie films perhaps present an inversion or subversion of the old resurrection ideas--much like modern vampire films and stories invert Christian myths?  Maybe, maybe not.  The super ancient (and pre-biblical) Mesopotamian Descent of Ishtar and the better-known Epic of Gilgamesh are credited with the most ancient zombie recounting.  Zombies are as old as civilization itself.  Perhaps the Valley of Dry Bones (Ezekiel 37), etc., and later resurrection imagery (especially people coming out of their graves, from below the ground, returning form the netherworld) has origins in the much more ancient zombie lore!

Friday, October 28, 2011

Ancient Zombies

As everyone begins preparations for the most important religious holiday of the year--Halloween (what else would it be? Yom Kippur? Easter? Diwali? Ramadan?)--I thought I would provide some seasonal cheer for your undead pleasure.

 While the jury is still out on whether or not Jesus was a zombie, who did come from the dead and encourage us to drink blood and eat flesh (although drinking blood lends itself to a more vampiric reading), zombies appear to be as old as civilization itself. The earliest reference I know of occurs in Mesopotamian stories of the Descent of Ishtar and, perhaps a bit more well-known, the Epic of Gilgamesh.

In the latter, Ishtar threatens:
"Father, please give me the Bull of Heaven, and let me strike Gilgamesh down!
Let me...Gilgamesh in his dwelling!
If you don't give me the Bull of Heaven,
I shall strike (?) [                                     ]
I shall set my face towards the infernal regions,
I shall raise up the dead,
and they will eat the living,
I shall make the dead outnumber the living." (trans. Stephanie Dalley)

This is paralleled in the Descent of Ishtar, she makes the same threat to the gatekeeper of the underworld, which is the realm of her sister, Ereshkigal.  So here's to the Queen of the Living Dead!


Sunday, June 19, 2011

Writing in the City of the Dead

I just saw this in NPR: archaeologists are studying the graffiti in the ancient Beit Shearim necropolis:

Aramaic is the lingua franca of the ancient Middle East, the linguistic root of modern day Hebrew and Arabic.

"Once you understand Aramaic," says Karen Stern, "you can read anything. You can read Hebrew, you can read Phoenician. I always call it the little black dress of Semitic languages."

Stern, 35, is an archaeologist and an assistant professor in the history department at Brooklyn College. Her passion is the tomb graffiti of the ancient Jews in what was then Roman Palestine. Graffiti has been "published, but sort of disregarded," she says. "Whereas I think it is intimate, vocal and spontaneous, and adds to the historical record."

....

"They were grapho-maniacal," Jonathan Price, head of the classics department at Tel Aviv University, says of the ancient Jews who were entombed here in the first and second centuries.

Over the next decade, Price and a group of scholars plan to publish many volumes of inscriptions from walls, pots, glass — everything but books — dating from the time of Alexander the Great to that of the Prophet Muhammad.

They will include many languages, such as Hebrew and Aramaic dialects like Syriac, Nabatean and Samaritan.

Price describes the graffiti as "a spontaneous verbal outburst" that adds intimacy to the historical record of the ancient Levant and Mesopotamia.

"These cultures wrote everything," he says. "They recorded their personal lives, their public lives; empires recorded themselves. They were hyperlinguistic."

There is also an interesting theory of the pictures of "nets" at each of the entrances--that they are not just to keep evil spirits out, but also to keep the dead in...perhaps in fear of zombies????

And as I just saw that Jim Davila pointed out, Aramaic is a branch on the same tree as Hebrew, Arabic, etc., not the root.

Read all of it here.

Sunday, April 12, 2009

"It is a Truth Universally Acknowledged...

...that a single man in possession of a good fortune, must be in want of a wife." Such are the famous first words to Jane Austen's masterpiece, Pride and Prejudice. But what if they read just slightly differently?

Here is the product description to a new take on the classic masterpiece:

Pride and Prejudice and Zombies -- "It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem. As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she's soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield as Elizabeth wages war against hordes of flesh-eating undead. Can she vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses, Pride and Prejudice and Zombies transforms a masterpiece of world literature into something you'd actually want to read.


Jane Austen is the author of Sense and Sensibility, Persuasion, Mansfield Park, and other masterpieces of English literature.

Seth Grahame-Smith once took a class in English literature. He lives in Los Angeles.


I don't know quite what to make of this, but am intrigued enough that I just might read it. The cover is very eerie.