The Brief Prosaics of Walter Benjamin

CAUTION: STEPS

Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven. (Walter Benjamin, "One-Way Street," in Reflections; trans. Edmund Jephcott)


So..are you composing, building, or weaving at the moment?

Comments

Post a Comment

Popular posts from this blog

Quote of the Day: Epic of Gilgamesh, Tablet 1, lines 199-203

So, I'm sick of seeing Sarah Palin at the top of my page, so here's something from the earliest epic tradition in world literature...well, the end product of that tradition at least. So, here, from the Standard Babylonian Version of the Epic of Gilgamesh is the quote of the day: Enkidu had defiled his body so pure, his legs stood still, though his herd was in motion. Enkidu was weakened, could not run as before, but now he had reason, adn wide understanding. (Epic of Gilgamesh, Tablet 1, lines 199-203; trans. Andrew George) Enkidu, created directly from clay, a replica of the original human, was a wild, animal-like man. At the same time, he was powerful, the only match in strength for the two-thirds divine Gilgamesh (how he's two-thirds divine, I have no clue...and no specialist's answer has been satisfying to my mind). This replica of the original man is also Gilgamesh's mirror, his alter-ego, a second self. In this scene, the wild animalistic man, who communes...
Read more

Book Note: Peter Schaefer's _Jesus in the Talmud_

I just finished reading Peter Schafer's new book, Jesus in the Talmud . Previous discussions on this theme have revolved around whether or not the rare appearances of Jesus in Rabbinic literature can contribute to our understanding of the "historical Jesus." Notable in this respect is the highly erudite and ultimately fruitless study by Johann Maier entitled, Jesus von Nazareth in der talmudischen Ueberlieferung . Schaefer seeks to move beyond such questions and discuss why Jesus is portrayed the way he is in the Talmud (basically, and to no one's surprise, in a very negative light). His thesis is that the Talmud's occasional discussions of Jesus--when Jesus usually is NOT the primary topic under discussion, but is merely used as an example for another point--provides a "devastating counternarrative" to the gospels. "Counternarrative," by the way, is Schaefer's favorite word in this book. To demonstrate this, he engages in close readi...
Read more

Quote of the Day: Sophocles' "Oedipus the King" and the Dangers of Self-Knowledge

If there is any ancient reflection on the dangers, or perhaps terrors, of knowledge, particularly self-knowledge, self-realization, it would have to be Sophocles' Oedipus the King . On my reading, the true tragedy of the play is not that Oedipus killed his father and married his mother (both unknowingly), but the tragedy is gaining knowledge of this, realizing he is who he is. Whereas, if he did not seek out this knowledge, presumably he could have lived out his life in ignorant bliss. Thus, Teiresias, although verbally abused by Oedipus, at first protects Oedipus from this self-knowledge with a reflection on the brutality and horror that can come from wisdom: Alas, how terrible is wisdom when it brings no profit to the man that's wise! This I knew well, but had forgotten it, else I would not have come here. (Oedipus the King 316-9; trans. David Grene) In fact, many people in Thebes already know who Oedipus is, know his true origins, but refuse to tell him. In addition to Te...
Read more