I am working through Ken Schenck's Cosmology and Eschatology in Hebrews at the moment (I'm sitting in the library with the book open as I am writing this).
I just have read the introduction and it looks like it will be an interesting read.
While I am predicting that our perspectives on temporal and spatial dimensions in Hebrews will cohere more broadly (although I cannot guarantee any agreement in matters of detail), we seem to get there by different roads.
He focuses on the narrative and rhetorical worlds assumed and shared by the earliest, let's say, meaning-making community. I too am interested in rhetorical aspects of Hebrews, especially as it relates to how the author plays with spatial and temporal dimensions (often transmuting one into another), yet he gets there through Wittgensteinian language games with some Ricouer while I prefer the route of Bakhtinian dialogism (and, since we're talking about space and time and how they interrelated, the Bakhtinian Chronotope). Also, the narrative I rely upon is perhaps a broader story. It is the ancient near eastern narrative of creation, sanctuary-establishment, enthronement, and rest (not always in the same order) found in texts like the Enuma Elish, the Baal Cycle, etc., emulated and transformed by the Pentateuch, and, then again, reconfigured in the Songs of the Sabbath Sacrifice (placed on a heavenly realm) and the Epistle to the Hebrews (also placing the sequence in the highest heaven with Christ now taking the leading role). I do not see this narrative sequence as the "key" to reading Hebrews (I don't believe in any such key), but as one of many narrative (or we might say "mythic") patterns, albeit a dominant one that insinuates itself throughout the entire homily, Hebrews engages with and transforms.
As such, I also agree with Ken that the search for a monolithic background in Hebrews is a misguided one since it assumes an ancient world in nice and tidy little boxes whereas it is increasingly clear that it was much more interactive in its networks; I prefer to think of the homilist as appropriating and transforming many traditions, imagery, and narrative patterns with which he(?) interacts.
Only one thing caused me to raise an eyebrow so far. It is when discussing that strange passage of how Jesus cleansed the heavenly tabernacle (Heb. 9:23). Indeed, while this picks up on the most important aspect of the Day of Atonement ceremony (which is the purging of the sanctuary of the impurity created by the people; Lev. 16), the question remains: "why would the heavenly sanctuary need to be cleansed?" Ken's answer is that the author is playing with metaphors and we will run into difficulties if we push them too far...that the author was not picturing the cleansing of a literal structure in heaven (p. 8). That's fine on the literal point, but why would the author picture Jesus cleansing a metaphorical heavenly sanctuary? It does not seem to answer the question to me, but simply remove it one step away. Maybe the point is not that we have pushed the metaphor too far, but that the author, in fact, got caught up in his own metaphor and pushed it too far to the point that it broke down.
What will happen next in the story world of Hebrews's cosmology and eschatology?
6 comments:
I'm looking forward to hearing your critique. Have you read John Dunnill's book Covenant and Sacrifice in the Letter to the Hebrews? It is structuralist in the cultural sense. What I've read of your thought has sometimes reminded me of him.
You obviously could be more accurate in the author getting carried away ;-)
So far, I don't have much to critique. I fear a critique would sound too much like summary. Maybe there will be more when I get further into the book. I am about half-way through chapter 3 at the moment.
I have not read it the Dunnill book. I'll check it out as soon as I have the opportunity. I just read the summary online...and...it is true I do have a penchant for seeing things as a symbolic system with a greater emphasis on symbolic and less on system. If you substitute "pattern" for "system," since the pattern may not be so systematic, you probably have my implicit reading practice.
I am likewise much influenced by those who use folk such as Mary Douglas (such as my own advisor, Jacob Milgrom, and Jonathan Klawans), who discussion the temple sacrificial cult as a symbolic system, although I don't really rely upon Douglas directly myself. Perhaps the difference is that I am looking at the temple's symbolic system as a symbol itself in a broader pattern of symbols.
You could say that they are looking at the pattern of protons, electrons, and neutrons that make an atom, and I am looking at the pattern of atoms that make a molecule with the temple and its cult as one of the "atoms." It is, I admit, the same type of thought, just on a different level.
'Indeed, while this picks up on the most important aspect of the Day of Atonement ceremony (which is the purging of the sanctuary of the impurity created by the people; Lev. 16)....'
Which is the most important aspect of the Day of Atonment ceremony - the death of the animal, or the use of the blood of the dead animal?
I apologize if that this point was not clear. The purging of the sanctuary is the most important aspect of the Yom Kippur (lit. "Day of Purgation") ceremony in Leviticus 16. Jacob Milgrom's article, "The Priestly Picture of Dorian Gray," is the best explanation on the topic I know of at the moment.
I have added this post to the carnival, as somehow I had accidently missed it.
Thanks for the reference; and thanks for all the carnival work. I loved the Simpsons theme. I'm glad no one has ever asked me to do one of those!
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