So, I'm sick of seeing Sarah Palin at the top of my page, so here's something from the earliest epic tradition in world literature...well, the end product of that tradition at least. So, here, from the Standard Babylonian Version of the Epic of Gilgamesh is the quote of the day: Enkidu had defiled his body so pure, his legs stood still, though his herd was in motion. Enkidu was weakened, could not run as before, but now he had reason, adn wide understanding. (Epic of Gilgamesh, Tablet 1, lines 199-203; trans. Andrew George) Enkidu, created directly from clay, a replica of the original human, was a wild, animal-like man. At the same time, he was powerful, the only match in strength for the two-thirds divine Gilgamesh (how he's two-thirds divine, I have no clue...and no specialist's answer has been satisfying to my mind). This replica of the original man is also Gilgamesh's mirror, his alter-ego, a second self. In this scene, the wild animalistic man, who communes...
Comments
Which Torah portion?
Which פסוק רחוק does it begin with?
We just discussed petichtaot in my Biblical Interpretation class - the first one in Genesis Rabbah. Still a very cool literary form.
My point is thinking about the intersections or interdependence of different forms of knowledge, which, I think, is part of the basis of the Liberal Arts.
So, we could start with one thing, such as the Epic of Gilgamesh, and try get to another, such as Darwin's Origin of Species, and consider the different pathways and intersections of knowledge that could ultimately lead from one to the other.
Thereby demonstrating that the variety of forms of inquiry in a Liberal Arts education are ultimately interrelated, even if often in tension with one another.