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Showing posts with the label Eros

Quotation; Interruption

From Walter Benjamin's "What is Epic Theater?" One can go even further and remember that interruption is one of the fundamental devices of all structuring. It goes far beyond the sphere of art. To give only one example, it is the basis of quotation. To quote a text involves the interruption of its context. In a way, by quoting this text about quotation, I have interrupted Benjamin's context, his discussion of the "quotable gesture" in epic theater. As my quote stands, you may not even realize that this is about gestures or even theater, except that I have told you so. Yet this violence of extraction allows the quotation to take wing; it reinvigorates it with new life as I place it in a new context. Yet to quote also interrupts the context of placement. When I quote something, it interrupts my own prose, creating a cacophany of voices, or, to put in M. M. Bakhtin's terms, heteroglossia. I often find in reading other people's work that I find ...