Turning Away / Turning Toward
Yesterday, a turn away from the world meant a turn towards the self: a turn away from Marxism meant a turn toward psychoanalysis: in that case, the Real was still somehow present, if only as an aching throb, an open wound. Today, even psychoanalysis and desire must be shunned as being too modern, and as requiring an assessment of late capitalism that the postmodern subject cannot tolerate. What offers itself as a substitute is then art and religion, pseudo-aestheticism in the form we have examined it here and its ghostly afterimages in the slow rotation of the religion of art into the art of religion. (Fredric Jameson, "Transformations of the Image in Postmodernity," The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (London: Verso, 1998) 134) In the balanced dialectic of the statement, the presence of the "Real" in Marxism and psychoanalysis (even if present only as an open wound) is matched by its pseudo-aestheticism of the permutations of th...