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Showing posts with the label Guermantes Way

On Imitation

But imitation requires not only the absence of any unconquerable originality but also a relative fineness of ear which enables one first of all to discern what one is afterwards to imitate. (Proust, Guermantes Way , In Search of Lost Time ; trans. Moncrieff, Kilmartin, and Enright) Famously, since Plato and Aristotle, art has been defined as the imitation of life or nature. Ovid, in his Metamorphoses , fascinatingly, reversed the direction of imitation, saying in his portrayal of Actaeon's transformation by Diana into a stag that is torn apart by his own dogs that nature imitates art--he is speaking of the rock formations around Diana's pool that are in the form of arches--the famous Roman architectural feature. Dante, on the Ledge of Pride in his Purgatorio , similarly, depicts an ecphrasis that is so real that nature could not compete with it. Art imitates life; life imitates art; it is an endless circle of mimesis. This is a fairly creative view of mimesis; Proust, howev...

From Self to Society

People foolishly imagine that the broad generalities of social phenomena afford an excellent opportunity to penetrate further into the human soul; they ought, on the contrary, to realise that it is by plumbing the depths of a single personality that they might have a chance of understanding those phenomena. (Proust, Guermantes Way, In Search of Lost Time; trans. Moncrieff, Kilmartin, and Enright)

Born Again with the Weather, with Proust

Although it was simply a Sunday in autumn, I had been born again, life lay intact before me, for that morning, after a succession of mild days, there had been a cold fog which had not cleared until nearly midday: and a change in the weather is sufficient to create the world and ourselves anew. Formerly, when the wind howled in my chimney, I would listen to the blows which it struck on the iron trap with as keen an emotion as if, like the famous chords with which the Fifth Symphony opens, they had been the irresistible calls of a mysterious destiny. Every change in the aspect of nature offers us a similar transformation by adapting our desires so as to harmonise with the new form of things. The mist, from the moment of my awakening, had made of me, instead of the centrifugal being which one is on fine days, a man turned in on himself, longing for the chimney corner and the shared bed, a shivering Adam in quest of a sedentary Eve, in this different world. (Marcel Proust, Guermantes W...

The Foreign Body

It is in sickness that we are compelled to recognise that we do not live alone but are chained to a being from a different realm, from whom we are worlds apart, who has no knowledge of us and by whom it is impossible to make ourselves understood: our body. (Proust, Guermantes Way , In Search of Lost Time ; trans. Moncrieff, Kilmartin, and Enright) In his essay, "On the Power of the Imagination," Montaigne gives examples of psychosomaticism: basically the physical manifestations of a robust imagination--how the imagination affects and transforms our body and bodily states as well as society, from the realm of male impotence (a psychological issue with measurable effects) to religion (belief in spirits, ghosts, saints, and gods/God). Proust, by contrast, seems to identify the self wholly with the mind, our minds are the "we" and our bodies are the "them." Nonetheless, there remains a psychosomatic trace--the great chain. It does remind me a bit of the a...

Proust on Writer's Block

If only I had been able to start writing! But, whatever the conditions in which I approached the task (as, too, alas, the undertakings not to touch alcohol, to go to bed early, to sleep, to keep fit), whether it was with enthusiasm, with method, with pleasure, in depriving myself of a walk, or postponing it and keeping it in reserve as a reward for industry, taking advantage of an hour of good health, utilising the inactivity forced on me by a day's illness, what always emerged in the end from all my efforts was a virgin page, undefiled by any writing, ineluctable as that forced card which in certain tricks on invariably is made to draw, however carefully one may first have shuffled the pack. I was merely the instrument of habits of not working, of not going to bed, of not sleeping, which must somehow be realised at all costs; if I offered them no resistance, if I contented myself with the pretext they seized from the first opportunity that the day afforded them of acting as they...