Antiquitopia

So, another quirk in Revelation occurs in 16:7, when the seven angels are pouring out bowls of divine wrath upon the earth and sea.  In the middle of it, the "angel of the waters" speaks of the Holy One as judge, who is righteous and offers proportional punishments: those who shed the blood of the saints get blood to drink (the waters turn to blood as in the Egyptian plague). In response, the heavenly altar itself speaks (NRSV): "yes, O Lord God, the Almighty, your judgments are true and just." Interestingly, it seems the throne also speaks: "And from the throne came a voice saying, 'Praise our God, all you his servants, and all who fear him, small and great'" (Rev 19:5). This could just be a disembodied divine voice coming from the throne - or the throne is alive, animate.  It is something that occurs intermittently throughout Revelation, too, usually before breaking out in a hymn. I know that in the Songs of the Sabbath Sacrifice the heav...

Wrath—one of the most famous first words in all of world literature. The word sets the pace, the tone, the content of the Iliad , shaping the plot of all there is to come. Wrath—Sing, Goddess, the wrath of Peleus’ son Achilles, murderous, doomed, that cost the Achaeans countless losses, hurling down to the House of Death so many sturdy souls, great fighters’ souls, but made their bodies carrion, feasts for the dogs and the birds, and the will of Zeus was moving toward its end. Begin, Muse, when the two first broke and clashed, Agamemnon lord of men and brilliant Achilles. (Iliad, 1.1-8; trans. Robert Fagles with some changes) The first word is menis . It is not just “anger” as the magisterial translation of Richmond Lattimore has rendered it. It is sustained anger, almost godlike in its intensity and singularity. Thus, Robert Fagles’ “rage” more clearly fits the bill. Yet I prefer the terminology of “wrath.” It reminds me of the wrath of God, which it ap...